As Oxford celebrated the turning on of the city's Christmas Lights on Friday evening, the newly-formed Leckford Place Choir gave its debut performance – in the magnificent surroundings of the Ashmolean Museum.
To a crowd of onlookers who thronged multiple levels of the Ashmolean's atrium, the choir sang a selection of carols and Christmas songs. The occasion was all the more special as it also marked the 1st birthday of the Ashmolean's new building.
Meanwhile, elsewhere in the city, older students from the Sixth Form and International Study Centre performed in the d'Overbroeck's Dance Club on the main stage on Broad Street.
There will be another chance to see both groups in action: the Dance Club will perform at tonight's Sixth Form Winter Concert (Tuesday 30 November, 7pm at Leckford Place Hall), and the Leckford Place Choir will sing at the Leckford Place Winter Concert, the following week (Monday 13 December, 7pm at Leckford Place Hall). So please do come along!
This term’s imaginative and daring reimagination of The Tempest saw Shakespeare’s last, great play relocated to a technological scrapheap in the Pacific.
The Tempest is, famously, a play that sits uncomfortably within its ‘comedy’ genre: falsehood, betrayal, absolute power and impending death are woven into its fabric. Fittingly, the d’Overbroeck’s production (directed by Drama teacher Joe Swarbrick) accentuated the text’s unsettling ambivalence.
There were moments of huge dramatic impact – as harpies writhed and shrieked, and ships were torn apart in raging seas – but also times of quiet introspection.
Lydia Hassan dominated the play with an extraordinarily nuanced rendition of Prospera, veering from rage to exhultation to troubled introspection. The resulting performance was powerfully compelling – all the more remarkable when you consider the fact that this is a role typically wrestled with by professional actors as they near the end of their career.
Tal Fineman and Will Cronk’s treacherous plotting was suitably distasteful, Felicity Hughes’ Miranda and Joe Wolfensohn’s Ferdinand enacted a haltingly tender courtship, and a troupe of shimmering Ariels were in turn impish and cacophanous.
Meanwhile, the drunken ramblings of Stephano (Sam Rigal) and Trinculo (Daisy Jordan) were hilarious – offset by the disturbing presence of Sixth Former Emma Gonnella’s brilliantly played Caliban.
This week sees the long-awaited College performance of the Tempest. To whet your appetites, we caught up with Joe Swarbrick – drama teacher and the play's director for a short interview.
In the video below, Joe describes the play's aesthetic – inspired by gigantic heaps of discarded machinery – and how a 400 year-old text can tell us something today about the interplay between knowledge and power.
The video features original music written and recorded by Joe.
Today, a quick update from Zambia. Last summer, a group of d'Overbroeck's College students (from both Leckford Place and the Sixth Form) travelled to the country and – as well as scaling mountains and swimming under waterfalls – they engaged in charitable work, teaching at a village school and visiting victims of AIDS, malaria and TB.
We recently received an update from one of the Zambian charities to which we donated at the end of the trip, letting us know that some of the funds had gone towards the construction of a new school for children affected by (or themselves suffering from) AIDS.
The building is still unfinished – but they sent the photograph above to show us the progress so far.
This term's dramatic highlight will be a d'Overbroeck's College production of the Tempest. Shakespeare's last play – a dark, brooding comedy about power, cruelty, love and magic – has been relocated to a technological junk heap in the middle of the Pacific. On this pile of discarded motherboards, monitors and technological detritus sits Prospera, usurped Duchess of Milan, and her daughter Miranda.
Caliban, their slave, the man who built the island with his mother Sycorax, plots his revenge on Prospera, while Prospera herself spies her former enemies on a passing ship. Summoning a storm with her sprite Ariel, the ship is wrecked on the shore of the island and its occupants scattered. As they all try to make sense of their new situation, they realise the island is not what it seems and that someone is controlling their every move.
A thought-provoking and visceral new interpretation of a complex and fascinating play, students from across the d'Overbroeck's family combine video, physical theatre, a cutting-edge soundtrack and exciting visual effects to bring you Shakespeare like you've never seen it before. Intense, energetic, funny and tragic by turn, this promises to be a spectacular theatrical event.
Thursday 1 & Friday 2 July, 7pm Leckford Place Hall Tickets £10 (adult), £6 (student/concession)
d'Overbroeck's College doesn't just sponsor Artweeks; we also host our own exhibition. This year's took place over the weekend just passed. As those of you who came along will attest, there was a fantastic array of work: everything from intricately detailed miniatures to gigantic cardboard sculpture; oils to watercolours; sketching to photography.
Here's a slideshow of photos taken at the Private View of our exhibition, on the evening of Friday 14 May.
Just a short post, today, for those who are looking ahead to Sixth Form. Our summer Sixth Form Open Morning is coming up soon, and offers the perfect opportunity to get an insight into what's to come:
Sixth Form Open Morning Saturday 8 May 2010 10am to 12.30pm at The Swan Building, 111 Banbury Road (01865 310000)
Meanwhile, our own Open Evening here at Leckford Place (for entry at 11 and 13) comes a month later. We'll post about it closer to the time, but here are the details:
Why do we need money? What are the hidden dangers of storecards? Why is it smart to start saving for your retirement as soon as you get your first job? These were just a few of the questions raised in today's assembly – in which Simon Harrison (Head of Economics at the Sixth Form) gave a whistlestop tour of some fundamental economic issues and how they affect us all.
In the short video clip below, you can watch Simon giving an illustration of the principle of compound interest – explaining how much benefit there is in starting to save from the earliest possible age.
Simon's assembly was the latest in a series given by teachers from the Sixth Form – which offer Leckford Place students an insight into subjects they might decide to study when they come to choose their own A levels.
These were the familiar words that introduced Tuesday evening's performance of Cupid's Labyrinth at Leckford Place – an evening overflowing with musical ardour.
We were treated to a programme of solos, duets, trios and quartets that brought together songs by Purcell and Handel, operatic arias by Verdi and Mozart and extracts from the more modern operettas of Offenbach and Gilbert & Sullivan – all unified by the theme of love.
So we witnessed seduction …
… silent adoration …
… amorous competition …
… illicit liaison …
… and more. The quality of the singing was unfailingly excellent, with a talented cast of performers – from Year 7 to Sixth Form – proving themselves more than equal to some extremely demanding classical repertoire.
Last term's performance of 1920s farce Not in Front of the Waiter – featuring students from both Leckford Place and d'Overbroeck's Sixth Form – was a great success. The following writeup appears in the Oxford Times Education Directory 2009, with this week's paper.
Students from Leckford Place School and d'Overbroeck's Sixth Form took a different approach to their winter production with the comedy operetta and tribute to Offenbach, ‘Not in Front of the Waiter.’ The audience were as much part of the production as the players and singers, as the vaulted school hall was transformed into a 1920’s cabaret club for the evening. Friends, family and guests, most of whom were elegantly attired in period dress, settled themselves at candlelit tables as the action took place around them.
This lavish production was served up in a series of delicious courses of songs of the era and the main performance. For Hors d’Oeuvres, the pearl-like voices of Pankaew Saksornchai and Chanita Seedaket got the audience’s attention as they sang about Gershwin’s treacherous ‘Lorelei,’ a provocative performance, enhanced by the young singers’ abundance of feathers and fans.
For Entrée the truly scrumptious Olivia Fraser-Smith melted hearts with her husky rendition of Iving Berlin’s classic, ‘What’ll I do?’ Even compere Will Cronk struggled to keep a dry eye as he presented, for Viandes, the marvellous Ben Pugsley, Captain of d’Overbroeck’s rugby first XV, who gave a faultless performance of Denza’s ‘Funiculi Funicula.’ Dessert drew the musical prelude to a close with the opulent Fleur Rampton, who carried the audience away on her ‘Stairway to Paradise.’
A break for dinner followed as guests were lavishly served by waitresses Louisa Goodfellow and Eva Rorsman, and then onto the Plat du Jour, ‘Not in Front of the Waiter’ ….
This comedy operetta was first performed in the 1960’s as a tribute to Jacques Offenbach. The Leckford Place School players, with the help of a large aspidistra, brought it to life fabulously. The story starts with waiter Block (Will Cronk) preparing to receive his guests in the private room of a Paris restaurant. Solange (Zanni Cohen) and Prosper (Matt Thorns) enter and take a table next to an enormous aspidistra. The audience learns that they are both married, though not to each other, and out to enjoy a clandestine meeting. Moments later, Hortense (Rosie Cohen) and Aristide (Gidon Fineman) arrive at an adjoining table. They are bent on a similar amorous escapade and are indeed the wife and husband of the first couple. It is not long before all is discovered; the young ladies humorously exaggerating astonishment then indignity and a quarrel ensues. The waiter intervenes to reveal that from a strawberry mark on the ladies' shoulders, he recognises them as the daughters he shamelessly abandoned in childhood. The four listen with incredulity, then the ladies rejoice in having each found a father, a sister and also a brother-in-law. Reconciliation abounds, and all join in a song in praise of family trees.
The five players gave their all with a performance that is worthy of any professional stage. Zanni and her Sixth-Form sister Rosie Cohen, whilst their casting of siblings in the play was fortuitous, are clearly very talented young ladies. They carried their roles with precision comic timing, faultless singing and the wild emotions that drew the appropriate gasps of awe and shock from the audience. Their respective partners brilliantly played roles above their years; Matt Thorns convincingly projecting his ulterior motive with the delectable Solange, becoming the confused husband in the face of too much information to take in at once. Sixth-Former Gidon Fineman was icily cool as the highbrow Aristide, clearly a man who just wanted a quiet life, and proved himself as an actor who could effortlessly handle slapstick along with the smooth. It is worthy of note that Gidon was the recent winner of Oxfordshire County Council's first ever Young Composer competition.
These four wonderful performances were brought together with great aplomb by Will Cronk with his hilarious rendition of Block the waiter, demonstrating his talent as a comic performer with a natural instinct for timing and delivery. Very polished, he won the audience’s sympathy as the luckless Block, a man who has paid royally for his misdemeanours, only to be rewarded by this coincidental reunion.
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